Dear PA reader,

This week, the Carbon Garden Pavilion transforms carbon capture into an inhabitable structure, using organic geometry to make climate science tangible, while Mid-Air Ceramic 3D Printing signals a technical shift that could redefine how ceramics are used in construction and design.

In Shenzhen, Architecture of Possibility presents Zaha Hadid Architects’ work as an evolving design intelligence rooted in computation, experimentation, and urban complexity, as Display of Light: Invisible Geometry shows how light itself can act as an architectural material that defines space, depth, and movement.

At the scale of cities, these ideas become more contested. The Line in Question: Maraya in the Desert reflects on the tension between spectacle and sustainability within mega-urban visions.

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Kew’s Mushroom-Like Carbon Garden Pavilion by Mizzi Studio

“Architecture of Possibility”: ZHA Exhibition at MOCAPU, Shenzhen

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Mid-Air Ceramic 3D Printing Breakthrough Opens New Possibilities for Complex Industrial Design

The LINE in Question, Maraya Shows What’s Possible in the Desert

An Experiential Display of Light through ‘Invisible Geometry’

SOM Unveils Retal Heights, Twin Towers Vision for Riyadh’s Skyline

Liebian International Building Features a 108-Meter Artificial Waterfall

OODA Unveils the House of Nassr Sports Complex in Riyadh

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